![]() When it comes to Star Wars or Middle-earth or any other fantastical place, I want CGI, whether or not it disrupts my sense of immersion and my ability to suspend disbelief. If I want real trees or sand, I can go walk through the woods to the beach. ![]() And while The Force Awakens certainly had lots of CGI, it also had puppets. Practical effects are like acoustic guitars, archaic relics of a bygone era, as surely replaced by synth as actually filming stuff has been replaced by computer graphics. Nothing improved upon the original trilogy like the abundance of CGI in the prequel trilogy. They're too entertaining and emotionally provocative for a Star Wars film. These characters are far too interesting, and really get in the way of.stuff. Kylo Ren is the son of Han Solo and Leia Organa, a dark Jedi wrestling with his light and dark sides the same way his uncle Luke and grandfather Anakin did. Rey is a tough, no-nonsense loner who discovers she's powerful in the Force, and destined to seek out the long-missing Luke Skywalker. His relationship with the scavenger Rey is funny and uplifting, leading both of them to acts of heroism and bravery in the face of enormous danger. Poe Dameron is a charming, witty pilot who laughs in the face of danger and gladly accepts Storm Trooper-turned conscientious objector FN-2187 with open arms, going so far as to give him a name: Finn.įinn is funny, brave, and sincere even when he's not quite telling the entire truth. The characters are too likable and complex in Episode VII. ![]() I'd even take a more in-depth explanation of what the science behind the Force actually is via Kylo Ren. Surely a speech or two in the Republic Senate could have helped with this, or some silly political pawns, and a Trade Federation or two for Snoke to manipulate from behind the scenes.
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